A few weeks ago (sorry about the late blog) I had a day of "fun" with UnCharted and The Tina Kelly Band playing two separate gigs (separate by an hour and a mood).
UnCharted was the first band on Saturday to play at the Redneck "Blank" (Olympics https://www.facebook.com/pages/Redneck-olympicspig-roast-and-music-festival/111251762300128). This was our 3rd year at this event in Hebron, but now under a different name (remember that we were MaineStream). I didn't look forward to bad parking, dirt on my car and equipment, and a potentially hostile audience, but I had to go along with it.
After a few parking attempts, I was able to unload some of my equipment. My car was packed for two shows, so this was not easy. Before I make it to the stage, Brandi (our lead singer) tells me that "things have changed"-- this seems to always happen at every show. There is a wedding going on before we play, and then we need to play a few wedding songs for the couple.
The wedding itself is done as a "redneck" wedding-- chickens on the stage, donkeys close by, the couple pulls up in a mud-runner truck, and an Elvis impersonator sings for them.
With the wedding over, we take the stage to setup and wipe away chicken feed. Our old sound production manager (who doesn't like us) is there to shake my hand and give me a grin. We get our equipment set, do an individual monitor check, and then we have to start playing without a full sound check. Once again my keyboards (run in mono) sound like tin cans, and I cannot hear the bass enough. I look to the mixing board and no one is there. After a set of feedback issues and intermittent changes to the set mid-way through, we got off the stage as fast as we could while another band literally setup on top of us.
I was told afterwards that the sound producer (remember that guy mentioned earlier?) was laughing with his wife on the side of his box truck when there was feedback. It was his job to fix that while it was happening!
But, no time to complain or collect-- I left with the drummer for our next gig in Buxton!
I made it to Buxton 30 minutes after the gig started (they played a few acoustic songs-- basically my favorite ones). I am always ready to play-- if money is at stake, I have to always go with it! With a few mixing issues taken care of, the Tina Kelly Band played until past midnight and then we collectively tore everything down and packed it up. The day was a whirlwind of cables and sound levels for me-- nothing seemed to be mixed properly.
If I got anything out of this experience, it is to find your own personal monitoring system (in ear) to make sure that you feel good about what you are playing. The mix that the house (audience) hears is important to other people (and should be taken care of by a dedicated listener), but if you don't like your mix, the gig will not go well. Imagine playing for 3 hours and fighting your sound every step of the way. Don't do that!
Also, don't be afraid of chickens. They will not peck you when they have feed around.
Take care!
Thursday, August 15, 2013
Monday, August 5, 2013
The Musician's attitude-- why bands fall apart and other issues...
Everyone who has ever been involved in a group should address this issue at some point-- the attitude of the members, and how one bad apple can "try" to ruin the bunch.
Music groups seem to attract the super-ego, ultra artistic, passionate people-- there is no telling what some combinations will bring. Most of the time, it brings about a fight. If it does not escalate to that, then there may be years of resentment and passive-aggressive behavior before some resolve happens, or the group dissolves. I have been in musical groups for 20 years so I am familiar with all the outcomes.
I thought it would be beneficial to discuss this topic during my busiest month for gigs. I just had a weekend of gigs with various issues, and I seriously questioned why I continue to put myself through this torture. Money aside (and it is never equal to time put in), the idea of forming a group with a similar interest seems like an innocent idea. The initial problem is that the "like-interest" is somewhat superficial-- usually there is a leader and they must have it their way (this results in a certain type of music being played). I have been in a few bands playing originals, but mostly I play in cover bands. In both types of bands, a leader would emerge and direct what style to play in (or what to cover). As democratic as the group was purported, the leader would always end with the final say. This seemed alright when money was concerned (although it started the building of resentment).
The money aspect has played a large part, and yet it also makes playing music a job-- something that is very easy to hate when it dictates what you should do. This job is easier when everyone is open and honest about what the band is doing. If all members are on the same page and have a similar vision then it should only have a few bumps every now and then (there has to be some conflict). Unfortunately, most people are closed and in their own world-- they are not open, and the often erupt into anger or make extreme decisions because of lack of communication. This happens in any relationship, so it should not come as a surprise.
I promote being honest and truthful about where your head is at (what you want) before committing to a group. It is not worth it to suffer through rehearsals and gigs just for money. The tiny moments in the music that make you happy (unless you enjoy all of the music your group plays) are fleeting and can be diminished with the escalation of problems. If everyone is open, then problems seem to be resolved quickly. For example, in Every Other Sunday, we all have a theater tech background (sound knowledge) and are open to each other's ideas on conflict resolution. We have an ongoing dialogue online that solves issues before we meet in person. We have had sound issues at gigs, and yet we always seem to have a backup plan to smooth it out. In contrast, UnCharted has lost power to half of our system during gigs and the show has literally shut down. I have always done my part to "fill space", but I could never keep the pandemonium from happening. Problems will happen, and you need to have an understanding with your group on how to handle them. Take the guesswork out and have a plan.
Now on to attitudes...
Obviously, what I mentioned above doesn't happen without the proper attitude. It takes you! If you are prone to being melancholic and emotional, a solo career awaits you. A band experience needs acceptance and compromise. Money does not fix things ( for many famous musicians it has only created more problems with drugs and other hangups). With this said, sometimes we must deal with a bad attitude in a band from time to time. This has seemed to happen as of late to me. UnCharted is unsure of the intentions of our singer because of her lack of communication and last night in the Monty Python Spamalot (http://www.montypythonsspamalot.com/) rehearsals, a woodwind player told me to "stop noodling" while I was quietly searching for a guitar patch for an upcoming song. I have learned to log these issues and then let a few of them slide. My personal attitude is to have many things going, so you can work on everything in different areas. In a few months I can walk away from a few commitments and feel indifferent about it (and yet relieved). We all have the power over our lives-- do not let anyone else ruin your mood.
Apply this to any relationship you are in. Communicate and resolve or walk away and save yourself.
Keep playing music though-- for sanity!
Music groups seem to attract the super-ego, ultra artistic, passionate people-- there is no telling what some combinations will bring. Most of the time, it brings about a fight. If it does not escalate to that, then there may be years of resentment and passive-aggressive behavior before some resolve happens, or the group dissolves. I have been in musical groups for 20 years so I am familiar with all the outcomes.
A pic before playing with UnCharted at the Redneck Olympics-- our sound was horrific.
The money aspect has played a large part, and yet it also makes playing music a job-- something that is very easy to hate when it dictates what you should do. This job is easier when everyone is open and honest about what the band is doing. If all members are on the same page and have a similar vision then it should only have a few bumps every now and then (there has to be some conflict). Unfortunately, most people are closed and in their own world-- they are not open, and the often erupt into anger or make extreme decisions because of lack of communication. This happens in any relationship, so it should not come as a surprise.
I promote being honest and truthful about where your head is at (what you want) before committing to a group. It is not worth it to suffer through rehearsals and gigs just for money. The tiny moments in the music that make you happy (unless you enjoy all of the music your group plays) are fleeting and can be diminished with the escalation of problems. If everyone is open, then problems seem to be resolved quickly. For example, in Every Other Sunday, we all have a theater tech background (sound knowledge) and are open to each other's ideas on conflict resolution. We have an ongoing dialogue online that solves issues before we meet in person. We have had sound issues at gigs, and yet we always seem to have a backup plan to smooth it out. In contrast, UnCharted has lost power to half of our system during gigs and the show has literally shut down. I have always done my part to "fill space", but I could never keep the pandemonium from happening. Problems will happen, and you need to have an understanding with your group on how to handle them. Take the guesswork out and have a plan.
Now on to attitudes...
Obviously, what I mentioned above doesn't happen without the proper attitude. It takes you! If you are prone to being melancholic and emotional, a solo career awaits you. A band experience needs acceptance and compromise. Money does not fix things ( for many famous musicians it has only created more problems with drugs and other hangups). With this said, sometimes we must deal with a bad attitude in a band from time to time. This has seemed to happen as of late to me. UnCharted is unsure of the intentions of our singer because of her lack of communication and last night in the Monty Python Spamalot (http://www.montypythonsspamalot.com/) rehearsals, a woodwind player told me to "stop noodling" while I was quietly searching for a guitar patch for an upcoming song. I have learned to log these issues and then let a few of them slide. My personal attitude is to have many things going, so you can work on everything in different areas. In a few months I can walk away from a few commitments and feel indifferent about it (and yet relieved). We all have the power over our lives-- do not let anyone else ruin your mood.
Apply this to any relationship you are in. Communicate and resolve or walk away and save yourself.
Keep playing music though-- for sanity!
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